By Shannon Lane @shannonroselane

LYING in the shadows of the heavily anticipated Rio de Janeiro Carnival are the retired, discarded floats from previous years

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Ornate God-like effigies now lie weathering on the streets

Dating back to 1723, the Rio Carnival in Brazil is held 40-days before Easter, and considered the largest carnival in the world.

Once used at the carnival, the adornments have no place in Rio

For five days the larger-than-life carnival floats travel through the Sambadrome and streets of Rio, dwarfing the 2 million revelers and dancers.

Some of the floats are recycled, others are just forgotten about

The aftermath of this explosive celebration of light, music and colour are somber backstreets and warehouses, containing the forgotten stars of the show.

A clown smiles for eternity in its warehouse home

French photographer Sebastian Miranda visited the building complex known as ’The City of Samba’ in Rio de Janeiro in September 2016.

Time takes their toll on the floats, as the paint begins to peel

The City of Samba is the bustling hub of samba schools and workshops, producing the elaborate costumes and floats specifically for the popular carnival.

The floats were once a platform for samba dancers as they traveled through the streets at carnival

It is also the location where the floats and adornments are then deposited following their moment in the limelight.

The photographer said: “The floats are being abandoned with the passing of years, some of them are recycled and reused, others are forgotten.

Many of the floats end up in the warehouses they were created

“It is a strong and contradictory message, the City of Samba is synonymous with happiness and enjoyment; these desolate floats seem to say otherwise.”

The photographer said: "They seemed to look at me with sad eyes"

The once vibrant floats depicting images of powerful Gods and eternally smiling clowns are now forced to accept their fate, as they begin to rust in the place they were once created.

The eery atmosphere is a contrast to the vibrant carnival of Rio

Sebastian Miranda said: “The floats which surprised me the most were those who had a face.

“They seemed to look at me with sad eyes, like a real being who has been abandoned.”